Writing:
Life’s Only Valuable Emotion (2019)
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Graphic Design by Philip A. Pignato
Synopsis:
Two women, Alice and Bree, reconnect for the first time in ten years following a long and tumultuous romantic relationship.
In an attempt to make amends, Alice and Bree relive their story through memories they share, but these memories also force the pair to confront truths about themselves and their lives long left ignored and untouched.
A play about the hard choices life throws at all of us and the decisions we are forced to make that leave us wondering for years to come, “what could have been?”
Character Breakdown:
Alice Roberts: A writer who is timid and composed on the surface, however, she denies and conceals many parts of herself- including her sexuality- in a desperate attempt to fulfill the expectations of her family.
Bree Anderson: An out-and-proud lesbian, journalist & activist. Bree is opinionated and strong-willed, but still generally unsure/indecisive in regard to her path in life. She lives loudly and recklessly. She doesn’t tend to stay still in any sense- be it with relationships, jobs, or cities.
James Roberts: A lawyer & aspiring politician. A proud “All-American” guy. All he has ever wanted in his life is to make his parents proud by doing what he was “supposed to do”: marry a pretty girl, have kids, and become successful. At his core he is a kind man, but years of power and success corrupt and harden his kindness.
An ensemble of 2F & 1M help create the world of the story and play various minor roles. They also serve as the understudies for the three principles.
produced at SUNY New Paltz as part of the Praxis Series
May 3rd, 4th & 5th 2019
Production Stills:
Rehearsal Photos:
Press:
“It’s important to put plays on with LGBTQ characters that are just about relationships and not necessarily about their ‘gay’ relationships. We need diversity in the kinds of stories that are being told from the perspective of LGBTQ people.”
“Ultimately, ‘L.O.V.E.’ is an incredibly strong piece by Feuerstein, made possible by Montanaro, Bower, Senise, Ezra and all the other students involved. It’s a testament to the PRAXIS program and everyone involved in it.”
“The play has plenty of twists and turns that force the characters to change, and it always keeps you on the edge of your seat. You may have an idea where the scene is going, but the play throws several curveballs to keep you invested. The final few scenes in particular are surprising, and really hit the audience like a two-by-four.”